Last updateTue, 20 Aug 2019 10pm

Diana Jarrett

The Story Behind the Stone: Color Fever

Jarrett Gem CenterColored gemstones - especially the pricey coveted ones - are sourced from exotic locales in foreign countries with odd sounding names to most Westerners. It’s all about the geology - simple as that. Those of us in the trade understand that stones have come from Bangkok, Sri Lanka, Afghanistan and other remote destinations.

Rumblings inside De Beers

De Beers officeChanging Partners

New leadership at the helm of De Beers Group has recently made the news in the diamond sector. Philippe Mellier steps down effective July 1, 2016 after a 5-year stint in the CEO post. In his place, Bruce Cleaver, Group director of strategy for Anglo American will step in to that position. Mellier who has directed the company through some murky waters in recent years said, “Having steered (De Beers Group) through some of the diamond industry’s toughest time and with the market showing signs of recovery, now is the right time for me to pass the baton to the next generation.”

Yellow Fever

Jarrett radiantToday, most consumers understand that diamonds may come in colors besides the ‘white’ or colorless variety. They may not know how they get color, or if they are treated to become colorful. Still they are acquiring a taste for these sparklers.

The Story Behind the Stone: All the subtleties of time

Recently, the Washington Post published a report about a shift in paradigm with ultra-luxe consumers who at one time only sported highly visible status-conscious labels. Now, they are regarded as “a little trashy” shoppers were quoted as saying. Instead, the story goes, consumers eschew logo-stamped products plastered with names like Van Cleef & Arpels, Prada, Gucci or Luis Vuitton.

The Story Behind the Stone


Jarrett Tsavorite stonesSavoring Tsavorite

There aren’t many ‘newly discovered’ gemstones. Most gems have been around for centuries if not thousands of years. But the earth has not given up all its treasures. Every so often, someone stumbles upon a new stone that upsets the whole idea of what are precious stones.

The Storied Hope: Connecting the dots of one of the most colorful diamonds in history

Jarrett HopeWithout doubt, one singular standout display at Washington DC’s Smithsonian Museum is the legendary Hope Diamond. Thousands of visitors flock to the Harry Winston Gallery there each year to catch a glimpse of this hypnotic blue stone.

Recognized around the globe, this 45.52 carat VS1, natural fancy deep grayish-blue cushion jewel is a rarity for more reasons than its entrancing deep blue hue. Its home since 1958 has been our nation’s great museum; fortunate for the millions who’ve traveled far to see it. But it hasn’t always enjoyed such a quiet life of retirement.

The Story Behind the Stone: Diamond & gemstones cut to push light performances


Jarrett FebruaryTransparent gemstones and diamonds are magnets of light; at least that’s the general idea. Cutting techniques and facet pattern designs have evolved over time with one particular goal at the top of a short list; push that stone to sparkle plenty.

The gemstone certainly has a part to play in this effort. Stones with larger numbers on the Mohs scale have greater ability to achieve that sparkling phenom. The higher the Mohs ranking, the harder the stone, and the better it will take a polish; all paramount to its ability to glitter from way across a crowded room.

Key to these gems’ desirability is fire and scintillation. The term fire refers to a stone’s ability to split light into all the spectral hues. The phrase used in gemology for fire is dispersion. The most well-known stone noted for its dispersion is diamond; but several colored gems are pretty impressive in that department too; like zircon, demantoid garnet, and lesser known, but highly collectible, sphene and sphalerite.

Scintillation is a separate deal altogether, and refers to flashes of light occurring when a gem or diamond is moved in the light. Scintillation’s disco-ball effect comes from the lively display of reflections seen bouncing off polished facets. These reflections may be white or have color. In the case of colored gemstones, they may actually produce a brighter hue than the stone’s body color. Occasionally these color flashes will exhibit a secondary hue; flashes of orange and yellow may bounce off a spessartite garnet, for example.

Zak Adourian, a developer of specialized gemological imaging instruments, www.displaystec.com, is expert in researching and analyzing the effect of fire, dispersion and scintillation. His proprietary tools are used by leading members of the diamond and gemstone trade to demonstrate their stones’ best attributes. “Gems are beautiful when they scintillate. That appealing sharp light-shift from facet to facet is eye-catching when the gem or jewelry item moves,” he explains.

Even within the industry, the importance of precision cutting is not always understood as critical to the stones’ ability to perform. Adourian clarifies, “When the stones are newly cut, the edges are razor sharp where the facets meet and that’s important to scintillation.”

Jarrett February 1But he also sites examples of when the crisp look is compromised. “Unfortunately by carelessness or simply ignorance when polishing a piece of jewelry like a ruby ring for example, one can polish the ring and remove minute amounts of metal. But that also happens to the stone in that jewelry.” Not only does it take away some of the gem material making in lighter in carat weight, Adourian warns, but “it ‘kills’ the sharp edges. With rounded edges, the light bends and makes the gem look less appealing. The light does not jump from facet to facet like it should. It looks more like sugar candy.”

So there’s a right way and a wrong way to repolish the metal prongs without the unintended consequences of dulling the stones’ brilliance. Louie Alam, designer and owner of Los Angeles-based Louie B Designs, says his jeweler-father Bob Alam taught him in his first weeks of apprenticeship how to take special care when working with softer gems. “We work on the prongs first and polish the metal before mounting the stone. Then we carefully retouch the prongs after mounting if needed.”

The main goal of gemstone cutting and polishing is to optimize the light performance. So preserving the integrity of a well cut stone needs to remain top-of-mind when repair work is being conducted on a piece.

It should certainly be a strong selling point in the presentation of fine jewelry in a retail setting. When presenting an item, Adourian says, “The jeweler can help a customer appreciate the value of well-cut stones on a piece of jewelry’s overall appearance.” Even after some tutorial, the customer may not remember all the details, but you will have helped them to train their eye to better assess value components in a piece of fine jewelry. In the end, you will help them to know what they like, Adourian points out. “A well cut stone is one that pleases the eye.”

Award winning trade journalist and gemologist Diana Jarrett is a Registered Master Valuer Appraiser and a member of the Association of Independent Jewellery Valuers (AIJV). She’s a popular speaker at conferences and trade shows. Jarrett writes for trade and consumer publications, online outlets, her blog: Color-n-Ice, and www.jewelrywebsitedesigners.com. Contact her at This email address is being protected from spambots. You need JavaScript enabled to view it., visit her website at www.dianajarrett.com, and follow her on Facebook and Twitter (Loupey).